Composer and sound artist Daniel Thomas Davis’ array of musical activities has taken him from the stages of Carnegie Hall and the Royal Opera House to monasteries in the Horn of Africa to playing electric hurdy gurdy alongside life-size puppets. Praised as “fun and unpretentious” by The New Yorker, he creates music singled out for its “soul-wrenching” connection to the human voice and its “deft and beautiful, rich harmonic and textural language.” (Classical Voice North America).

Dan’s music has been performed, commissioned, and featured by the Royal Philharmonic Orchestra, cellist Lynn Harrell, the Detroit Symphony Orchestra, the London Sinfonietta, New York Philharmonic, Lontano and Odaline de la Martinez, American Opera Projects, ModernMedieval at the Metropolitan Museum, the Momenta Quartet, the Lexington Philharmonic, Hub New Music, Ensemble X, Yarn|Wire, the 21st-Century Consort, the Charlotte Symphony, the Ossian Ensemble, the BBC Singers, the Locrian Ensemble, Boston’s Back Bay Chorale and eighth blackbird. Other performers of his music have included members of the Chamber Music Society of Lincoln Center, Anonymous 4 and Roomful of Teeth, as well as performers from the Chicago Symphony, Berlin Philharmonic, Philadelphia Orchestra, London Philharmonic, London Symphony, Los Angeles Philharmonic, English Chamber Orchestra, and BBC Symphony Orchestra.

In recent years, Dan has enjoyed the premieres of three new operas — SIX. TWENTY. OUTRAGEOUS. in an American Opera Projects/Symphony Space co-production directed and designed by polymath artist Doug Fitch, Family Secrets (or Kith & Kin) with North Carolina Opera in Raleigh, and The Impossible She with Rhymes with Opera at the New York Opera Fest. Each opera premiered to sold-out audiences and to glowing critical responses — as evidenced by Parterre’s assessment of The Impossible She as “a towering musical achievement, a hugely complex work packing a whopping political and intellectual punch,” which positions “contemporary opera as an important tool for political and historical commentary, for magnifying marginalized voices, for sharing long-lost stories, and for finding solutions to a tumultuous present in a distant past.” A committed collaborator with writers, filmmakers and choreographers, he also scored, developed and performed the genre-bending theater work Stuffed Happens (with Doug Fitch and Tommy Nguyen), commissioned by the Moody Center for the Arts in Houston in Spring 2023. Other recent collaborations include the awarding-winning feature films Pushed Up the Mountain and An Encounter with Simone Weil, as well as the evening-length dance work Breath Catalogue with Megan Nicely/Dance+Kate Elswit.

Originally from rural North Carolina, Dan holds degrees from the University of Michigan, Royal Academy of Music, Peabody Conservatory, and Johns Hopkins University. The recipient of fellowships from the British Government (Marshall Scholar), Bogliasco Foundation, Mellon Foundation and Yaddo, Dan serves as a professor and composition-program director at Binghamton University (SUNY), where he was given the Chancellor’s Award for Research and Creative Activities. He’s also an active pianist, conductor and hurdy-gurdy player.